The art of many centuries pasts was dedicated to aesthetic
excellence and as such follow the regulations and mainstream ideologies.
However, as time went on art was not only seen as perfect symmetry and flawless
lines but as the juxtaposition on the canvas of signs which deconstructed the
regular order of aesthetics. Painters who broke the mold were seen as crazy an
inept but in reality they created the grounds for the expression of the
subcultures which we have experienced through the years, initiators such as the
painter Edouard Manet illustrated a disconnection of characters, space and the
lack of logic. The paintings were disorderly opening new avenues of perception
which gave way to almost dreamy fictitious landscapes and scenes escaping
reality as we know it.
The distortion of society became then prevalent in subversive
art and rules were broken in most recent times by anonymous individuals in city
walls tagging and defacing private property, unlawful actions which were elevated
to a pedestal. The method of defacing buildings which belong to an institution provided
the perfect scenario for subversive art to be performed and elaborate or simple
taggings on the streets overall gave power to the marginalize the power to
disfigure. As we can see now in many cities like Toronto were tourists now
presence in a relatively open space which was before hidden from the dominant
society. Below are pictures from Graffiti Wall Toronto.